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  This is one of the early, fantastic Latin charts recorded by the Kenton Band and played for years and years.
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The original chart as played by the Stan Kenton Orchestra.
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This version
is edited to be played with only 8 brass and a standard saxophone section. As
recorded by the Stan Kenton Orchestra on “Live at Brigham Young University”,
this is the thrilling latin Stan Kenton sound like that of “Malaga” and
“Malaguena” that is sure to dazzle any crowd.
Solo space is written for tenor saxophone, trumpet, trombone, drums and
congas along with wonderfully exciting ensemble writing making this a sure fire
winner with your band. (5-4-4-4)
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Rarely does a piece turn up like this one.
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The publication of this piece is dedicated to the memory of Manny Albam, the composer.
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Movement V (of 7) of the Cuban Fire Suite.
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Movement III (of 7) of the Cuban Fire Suite.
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Kenton had many hits over the years, and this very creative arrangement by Pete was one of them.
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Recorded on the Back To Balboa LP by the Stan Kenton Orchestra, this is a typical Richards chart in that it contains exciting ensemble blowing and lots of solo space for trombone, tenor sax, trumpet and alto sax.
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Johnny Richards at his best! A very playable chart without a lot of range concerns for brass.
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As recorded by the Stan Kenton Orchestra on "Live at Brigham Young University," this may well be Willie's best chart done for Stan.
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As recorded by the Stan Kenton Orchestra on "Viva-Kenton," this delightful Latin chart has solo space for tenor saxophone and features a very hip melody by Gene Roland.
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As recorded by the
Stan Kenton Orchestra on “Live at Brigham Young University”, this is the
thrilling Latin Stan Kenton sound like that of “Malaga” and “Malaguena” that is
sure to dazzle any crowd. Solo space is
written for tenor saxophone, trumpet, trombone, drums and congas along with
wonderfully exciting ensemble writing making this a sure fire winner with your
band. (5-5-5-4) with the Kenton saxophone section instrumentation (alto, 2
tenor, 2 baritone)
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Bob Curnow took Ken Hanna's wonderful, latin, medium-tempo tune and made it a bit more accessible for good bands.
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This is one of the most creative, important big band compositions ever written by anyone! It is also a chart which has been in demand for many years.
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This was recorded by the Stan Kenton Orchestra on Back To Balboa, and it is a highly original, exciting chart (latin/swing) on a great standard tune.
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Movement VII (of 7) of the Cuban Fire Suite.
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Movement IV (of 7) of the Cuban Fire Suite.
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Any Kenton fan knows this piece very well, as it is one of the finest things ever written for Stan.
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Absolutely one of the all-time great big band charts! Tenor sax, drums and trumpet solos, interspersed with fabulous ensemble writing.
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Movement I (of 7) of the Cuban Fire Suite.
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As recorded by the Stan Kenton Orchestra on Back To Balboa (Capitol), Richards takes this great standard and turns it into a 6/8 latin and swinging screamer.
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As recorded by the Stan Kenton Orchestra (Creative World CD) on " Live at Redlands University", this chart is a rip-roaring latin and swing chart that just flies along.
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Movement VI (of 7) of the Cuban Fire Suite.
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This is a new edition (Finale computer notation) of the original arrangement, with no editing.
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This is a new edition (Finale computer notation) of the original arrangement, edited to be played with the following instrumentation: 2 altos, 2 tenors, baritone saxophone, 5 trumpets, 5 trombones, piano, bass and drums.
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The 2nd movement of Richards' amazing Cuban Fire Suite.
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Contains all of the following charts:.
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