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  This arrangement by Bob Curnow is based on Johnny Richards' original composition written for the Stan Kenton Orchestra, which was part of the "Adventures In Time" album.
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This is about an 8-minute, multi-sectional composition.
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A re-scoring of a Kenton original (richer harmony, better key).
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This extraordinarily popular Metheny/Mays composition is arranged by Bob Curnow, adding to his many successful arrangements of music from the Pat Metheny Group recordings (49 and counting!). The original style/feel is maintained for the most part. 5-4-4-4
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As recorded by the Stan Kenton Orchestra on "Artistry in Rhythm" (and many other CDs).
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Frank Rosolino's jazz waltz is loved by all, and Holman's arrangement of it is superb.
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This wonderfully tasteful jazz waltz has been featured at the Playboy Jazz Festival, performed by many All-State Jazz Ensembles, and is played regularly by the U.
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One of Kenton's most important compositions.
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Originally recorded by Cannonball Adderley on his album Domination, "Cyclops" is one of those charts that will make your audiences bob their heads and tap their feet.
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From the Progressive Jazz period in the 1940's, this piece focused on the alto saxophone (originally played by George Weidler).
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This is a very fresh sounding, interesting and fun piece .
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Bob Curnow has taken fragments of a piece written during his grad school days and developed a very attractive and unique chart, featuring solos for tenor saxophone, trumpet, and drums. Very dramatic shout choruses and the solos are surrounded by a quiet beginning and ending. 5 4-4-4
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Another amazingly futuristic piece from Rugolo's great mind.
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This is a very fresh sounding, interesting and fun piece .
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Four wonderful tunes.
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This is the real thing, as written for and recorded by the Buddy Rich Band on the Big Swing Face CD.
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This may well be the most popular of Hank Levy's scores for the Kenton Band.
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Bill Potts' arrangements for the recording "The Jazz Soul of Porgy and Bess" are legendary.
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Here is another one of Johnny Richards' great latin tunes as written for the Stan Kenton Orchestra.
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If you're looking for variety of style, this wonderful chart should fit your needs.
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Bob Curnow has done a re-scoring of his original arrangement done for Stan Kenton.
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This suite was written for the Stanford University Jazz Ensemble, directed by Fred Berry.
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Here is a most unusual chart, set in a celtic style, with shades of bag pipes and Scottish overtones.
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This is a delightful piece that would provide some energy and variety to any concert program!
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Composed by Don Goodwin, Jr. for the Spokane Jazz Orchestra in honor of Bob Curnow, this very unique, interesting, and exciting piece is a thrill to play and hear. Don set some wonderful melodic thoughts in a medium tempo 5/4 meter that practically plays itself. 5-4-4-4
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